Paul D Brazill has carved quite the niche for himself. He is a prolific writer of shorts that seem to get published in all the major online outlets, plus he’s got himself published in Maxim Jakubowski’s print anthologies, too – all of which are a major deal in my opinion. I’d read several of his stories online (including the quite sublime The Tut), so decided to give 13 Shots of Noir a go.
And what a strong collection it is. The stories are tight and never outstay their welcome. Added to which, Brazill has a lovely way with words; take this gem from The Man Behind The Curtain:
Carole has barely been out of her teens when Doctor James Parker, as glimmering and sophisticated as a Brandy Alexander, swept through her humdrum life like a tornado, picked her up in an Oz that bore than a passing resemblance to Chiswick, West London.
As the years trundled on, however, James’ gambling and drinking habits ballooned to the size of the Hindenburg, his mood swings and behaviour grew more and more erratic and Oz turned out to be no place like home.
The Oz reference in particular is superb and clever. I like writers with a clever turn of phrase, and the ability and confidence to employ them correctly, particularly as a rather plain prose stylist I am rarely capable of them myself. And here’s another from the very nicely put together Mr Kiss and Tell:
As the years trundled on, Billy Kirby, alone in his two bedroom Housing Association flat, like so many lost souls, turned to Mecca. Come rain or shine, come hell or high water, every Monday and Friday afternoon Billy was in the Mecca Bingo.
13 Shots is a very strong collection of shorts, but my particular highlights include The Tut, Mr Kiss & Tell, Drunk On The Moon (which has spawned a successful series about werewolf P.I. Roman Dalton), The Final Cut and the beautifully twisted and brief M.