Drunken ex-con Cal Innes is making his living as a private investigator of sorts. He has somehow built a reputation for finding people who’ve gone missing and now seems to have turned that into a business. Although Innes does deal in divorce cases, he wants nothing to do with a pub landlady who wants to murder her landlord husband. He tells her he isn’t interested in that kind of work, tells her to give it more thought when she’s sobered up and leaves immediately. Then he’s contacted by the man responsible for putting him in prison – crime lord Morris Tiernan – and asked/told to find a croupier who has stolen ten grand from his casino. The trail takes him to Newcastle looking for a gambler with a taste for cash and a barely legal girl who just happens to be Tiernan’s daughter. Innes’ task is made harder by Tiernan’s psychopathic son Mo’ who has his own reasons for wanting the girl back, and by a brutal police officer named ‘Donkey’ Donkin, who wants to question Innes about the stabbing of the landlord. As Innes gets closer to the croupier and the girl things start to go really wrong. And after he’s beaten and left for dead, the detective is forced to take drastic action, including some eye-watering torture with a cricket bat, working his way towards an exciting and bitter climax.
Ray Banks is one of those writers who seems to be unable to write a bad book. His sense of pacing is immaculate and he uses language the way Mo’ Tiernan uses a Stanley knife – cutting through to the meat and bone of the tale, trimming away the excess flab. He uses a technique that I first noticed in the brilliant Wolf Tickets – having two different narrators give their voice to different parts of the tale – and much as it does in that novel it works beautifully. Innes provides a bitter, tragic commentary on his part of the journey (showing a true alcoholic’s eye for self-delusion, along with a lot of submerged fury). Mo’ Tiernan provides a funny, frightening and foul-mouthed counter-point. Both voices are superbly written and utterly unique. The story moves along at an incredible pace, never once dragging, and as first parts of a series go Saturday’s Child is one of the finest. Another absolute cracker from somebody who has become one of my favourite writers over the past year or so. Can’t wait to get started on Sucker Punch.