Sucker Punch follows the story of Cal Innes about six months after the events in Saturday’s Child. Innes has given up the private investigator game and is instead working for his old friend Paulo at the boxing gym, doing any odd jobs that need sorting. One particular job involves babysitting a young up-and-coming boxer on a trip to LA to take part in a boxing tournament. Innes initially doesn’t want to go because he is addicted to Codeine – a by-product from his trip to Newcastle for Maurice Tiernan – and wonders how he will survive the trip without his fix. Plus, he isn’t all that keen on babysitting the young boxer, Liam, because his first impression of the lad isn’t an especially positive one. However, Paulo refuses to take no for an answer so Innes reluctantly takes his ‘holiday’. When he’s lands he meets a former boxer in a bar who tells him not to trust the fighter whose gym is being used to stage the competition. Innes asks the man to take a look at Liam and train him up for the competition. Liam is initially reluctant to meet the man, but when he does he’s impressed by the man’s knowledge and agrees to train with him. But Innes realises that there are a few things about the man that don’t quite add up, and when the father of another fighter tries to bribe Innes to get Liam to take a dive the whole situation explodes into violence.
The sequel to Saturday’s Child is a different beast to its predecessor. For a start the novel is narrated solely by Innes, rather than alternating chapters between Innes and Mo, Maurice Tiernan’s son (who only appears in two violent cameos that bookend the story); Second, it moves at a more relaxed pace and has a less defined plot than the first novel; Third, Innes has changed from the man who appears in Saturday’s Child. He’s now a Codeine addict, and his alcoholism has changed from functional to barely functional. Plus, he’s angrier, much more bitter and less rational.
It’s this change in Cal Innes that makes Sucker Punch such a compelling read. It lacks the rocket-fuelled narrative and focus of the first book, so Innes himself has to take up the slack. He rails against authority, even when it’s trying to help him, has little respect for others and even less for himself. By the end of the novel, you can see the direction that Innes is heading and can only wince at the choices he’s made.
Although it isn’t as strong as the brilliant Saturday’s Child, Sucker Punch is still an excellent piece of gritty crime fiction. Ray Banks’ Cal Innes is a brilliant creation, with a superbly written narrative voice, a character who keeps the reader glued to the page. Highly recommended.