It’s been a while since I’ve written any reviews so I might be a touch ring rusty. But I’ve got a backlog to get through, so here goes.
First up is A Brief History of Seven Killings by Marlon James, which won last year’s Booker Prize. History takes an assassination attempt on Bob Marley as it’s starting point and weaves a massive tale of corruption, politics, power, murder, and Jamaica. It encompasses a huge array of characters, some of whom change identities at certain points in the story. When this book is at its best it is superb but, at its worst, it’s a slog. However, the good massively outweighs the bad. Some have compared this to Ellroy (which is why I picked it up in the first place), but it’s nothing of the sort. Character is secondary to plot in Ellroy’s work, whereas James’ novel is all character – the plot is loose, and certain parts of it don’t gel well at all. James’ characters all have clear and defined voices, whereas Post LA Quartet Ellroy has one voice: the Demon Dog. What the two writers do share is an ambitious historical narrative vision that fuses real life events with detailed fiction, along with a tendency to take their characters on a seamy, seedy journey. In this case, James weaves a fictional history of modern day Jamaica out of the attempted murder of Bob Marley. It’s ambitious, superbly written, and often addictive. But, in places, it’s also a baggy, slow slog of a read that is in drastic need of an edit. For all its faults this is still a superb piece of work.
Regular readers will know how highly I rate Ryan Bracha. I loved Strangers Are Just Friends You Haven’t Killed Yet, and Paul Carter is a Dead Man, and Ben Turner is a Dead Man. He has style, inventiveness, and wit to burn. Well, The Switched takes the wit and invention contained in those tales and ramps it up. In this novel, five unrelated people get switched into different bodies in a weird one-off event. Gradually, violent circumstances and strong personalities bring them together for a brutal final act. The Switched is great fun (as long as you’ve got a strong stomach). It’s as different from the Dead Man trilogy as it is from the universe of Strangers Are Just Friends You Haven’t Killed Yet, but the novel shares the sharp, cutting satirical edge and the tendency towards experimental prose and structure. The reasons for the switch are never made clear (it’s possible that Bracha will reveal the reason in later books), so the focus is on the personalities. Bracha’s characters are pretty much all unlikeable with the exception of Charlie/Jake, but good writing ensures that they go through exciting transformations (and I’m not just referring to the switch itself but dealing with gender and gender fluidity), and the story is compelling enough to keep you reading to the end.
Ryan Bracha is fast building up an interesting, diverse, and impressive body of work. He seems to push himself from book to book – unwilling to settle for one genre or style of writing – and his back catalog is all the better for it. The Switched is another strong addition to this collection and comes highly recommended.