I’ve given away plenty of freebies in the past – far more than I have sold, if I’m completely honest – so why am I asking this question now?
Well, I’ve been thinking about it a lot, recently. Partly because I want to sell more books in 2014, and partly because I want to progress as a writer, by turning it into a career, rather than a side-line. There are other elements at play in my thinking, but these main points have occupied me for much of the beginning of the year.
The answer to the title, essentially, comes down to this one question, and how I answer it:
How much do I value my time?
Is the time I spend writing (time that would be more lucrative financially if I spent it chasing clients for new freelance work) of any worth to me? Do the hundreds of hours I spend writing, rewriting, fine-tuning, and editing my work mean anything to me spiritually? Do I have any defined goals as a writer? Do I want to sell more future work?
If I answer yes to any of these questions, then giving all my work away for free makes very little sense.
If I don’t value myself as a writer, why should the reading public? Some stats suggest that more than 70% of the people who download free books never read them. Goodreads figures for The Gamblers and Bone Breakers suggest that this isn’t far from the truth. Of course, they have every intention of reading them – otherwise, what is the point of downloading them? But, as any Kindle user will tell you, downloading free books becomes an addiction. The more they download, the more choice they have; and the more choice they have, the harder it becomes to make a clear decision based on those choices! Also, when Kindles are jam-packed with content (years of it, in many cases), what kind of choices does this force the reader to make?
If you’re like me, you probably base your reading priorities along several lines of thought: 1) novels I have bought (especially if the authors are known to me); 2) authors with a known track-record (I’ve read and enjoyed them before, so they get prioritised next); 3) recommendations (particularly from other writers); 4) publishers that I respect (I might not know the author, but I have read work from other authors that they have published in the past); 5) interesting, well-written synopsis; 6) all other freebies.
Note where all other freebies comes in the list.
I had every intention of reading them at the time, but as I’ve added new content to my Kindle they have been gradually pushed down the pecking order. Why? Because in my mind they have less value than the works I paid for, and, because they have less value, I consider that reading them is less important. When my Kindle gets too full, they are the books that I delete or archive first. Truth be told, I’m probably missing out on some cracking stories because of this…
And so it goes for my novels and stories. Same rules apply.
And when I think about it in this way, I realise that giving my work away makes it essentially worthless to more than 70% of readers. Carelessly giving away my work might garner me a few new readers (even long-term ones), but it will most likely lose me a lot more in the long run.
Also, why should readers take the time to buy your work on initial release when they think, Well, he’s only going to make it free at some point. Might as well wait till then. If your readership thinks you’re just going to give it away eventually, where is their incentive to buy? Nowhere – that’s where.
So, 2014 will see me taking a different approach to writing, and how I market and sell my work.
No more new freebies for a start: The Curious Case of the Missing Moolah, A Funny Thing Happened on the Way to Billingham Forum, and The Glasgow Grin will never be free. Ever! The same goes for any other future publications (with the notable exception of short stories, because they work as advertisements for my larger works).
The only freebie I have planned for this year is a tactical one. A couple of months before the release of The Glasgow Grin, I will make The Hunters permanently free. This makes sense because The Glasgow Grin is its direct sequel – every other Stanton brothers’ book works solely in its own right. It also makes sense, because I think The Hunters is a good enough read to make people want to get their hands on the sequel.
Otherwise, the free ride ends here.
I think my work is good enough to charge money for it.
And if you’re waiting for me to change my mind, and start giving it away again, you’ll be waiting a long time.