My Top Ten Reads of 2014

Damn! Has the year really gone that quickly?

It only seems like yesterday that I was making plans for how I wanted my year to go, and here I am at the end of it. The Glasgow Grin still hasn’t made an appearance – never have I put so much work into a writing project – as it expanded from a relatively short 50,000 word novel into a pretty complex 105,000+ monster that is still being edited as I write this. But it’s a much better tale because of the changes – at least, in my humble opinion. Such was the nature of the project that I didn’t read and review as many novels as I had initially wanted to in 2014.

Occasionally, weeks went by without me reading a single word of prose – mostly because I wasn’t able to spare brain capacity from redrafting and editing The Glasgow Grin project. Alas, I just don’t have that big a brain!

Still, when I did get the chance to read, I devoured stuff. And this year has been marked by its sheer quality. There have been very few duffers (I only stopped reading two books this year, which is a first), and even though I didn’t read as much as I would have liked I’ve read some great work.

Right, enough waffle. On with the list, which is in no particular order.

1) Peckerwood by Jedidiah Ayres
Last year, Ayres’ superb novella Fierce Bitches made my list. It was a beautifully written tale with a density and ambition that promised great things to come. Peckerwood, published by the superb Broken River Books, is the first fulfilment of that promise. Written in a more straightforward pared-back style than Bitches, this Jim Thompson-esque tale of corruption in a small town came with some wonderful characters, great dialogue, and fine set-pieces. If you haven’t read it yet, I suggest you grab a copy straight away.

2) Corrosion by Jon Bassoff
Bassoff’s twisted and deliciously evil slice of psycho-noir revelled in its squalid small town atmosphere, numerous unreliable and unstable narrators. Well written, with a keen eye for the right piece of detail to make a description come alive or a piece of dialogue sing. A truly impressive piece of work.

3) The Scent of New Death by Mike Monson
This dark, kinky and violent piece of noir about a zen bank robber chasing his wife and partner in crime was a real surprise. I read a couple of reviews before picking it up, but they didn’t really prepare me for such a gut-punch of a thriller that packs more into its 100+ pages than many thrillers of three times the length. If you have the stomach for some of the brutality, you probably won’t find many more exciting thrillers around.

4) The Bitch by Les Edgerton
This tale of blackmail and a robbery that goes very, very wrong was easily one of the best I read in 2014. It piles incident on top of incident, almost to the point where a lesser writer might tip it over into parody, but Les Edgerton never lets this happen. Through a combination of excellent writing and controlled plotting, Edgerton turns this into a quite excellent noir thrill-machine of a novel. Excellent stuff.

5) Rust and Bone by Craig Davidson
It’s the title story, about an ageing bare-knuckle fighter, that’s the real killer in this collection (a fine tale, written in some of the most beautifully rendered prose I’ve read in a short story), but it’s a strong collection filled with several superb short stories.

6) Mixed Blood by Roger Smith
Ah, what would one of these lists be without one of Roger Smith’s black-hearted, fast-paced tales on it? Not the same, that’s for sure! This ultra-violent thriller has several story strands that interleave beautifully. And, as ever with Smith, it has a brilliant and vile villain. Why Roger Smith isn’t a more successful writer is one of the big mysteries? He writes superbly, can plot with the best of them, and paints a picture of South Africa that grows scarier with each novel. When dog-shit writers like James Patterson sell millions for ghost-written tales, you have to wonder why Smith, a far superior writer with real story-telling chops, doesn’t sell anywhere near those kinds of numbers.

7) The City And The City by China Mieville
My first experience of this British science fiction author was a highly positive one. It’s a detective thriller set in two eastern European cities that share the same geographical space. The inhabitants of the city have differing languages, customs and architectural styles, and deal with each other’s existence through a combination of architectural cross-hatching and ‘unseeing’. It sounds like more of a ‘mindfuck’ than it actually is, and is a well-written thriller that seamlessly combines philosophical elements and satirical digs at big business and national identity. Superb stuff.

8) Paul Carter is a Dead Man by Ryan Bracha
Bracha’s alternative version of modern-day Britain makes for an ugly place, but also for a damn fine satirical thriller that skewers the kind of UKIP-style politics that currently blights our nation, along with nice digs at social network justice and its own brand of replacement swearing.

9) The Long Lost Dog Of It by Michael Kazepis
This original take on the the ensemble novel has its flaws, but it has stayed with me in a way that no other book has this year. It has some fine moments, plus far and away the best action setpiece I read this year (between two hitmen that starts in an apartment block and eventually expands out into a wider conflict with the police). It also has some wonderful prose.

10) American Death Songs by Jordan Harper
A fine collection of hard-edged short stories that really put its steel toe-capped boots into its characters’ guts. Harper is a damn fine writer of short tales. Great collection.

I read a lot of good stuff this year and there were many other notable and highly enjoyable works by writers such Paul D. Brazill, J. David Osborne, Keith Nixon, and Josh Stallings among many others.

Here’s hoping 2015 throws up as many gems.

Merry Christmas, folks, and a Happy New Year.

Review: Mixed Blood by Roger Smith

Regular readers will know how much I love the work of Roger Smith. In my opinion, he’s the best writer of noir thrillers around. His work is a mixture of razor sharp, clipped prose, incisive and clever plotting, brutal violence, well etched characters, and a fatalist’s eye for the dark ending.

Mixed Blood is one of his earlier works, and the only one that I hadn’t read. It had been sitting on my shelf for quite some time, partly because once I finished it I knew I’d have to wait some time for the next Smith novel to come around. Hence delaying the inevitable.

Like all of Smith’s best work, Mixed Blood begins with a tragic incident from which the protagonist tries to escape, usually with disastrous results. In this case, a couple of Cape Town hoods try to rob the house of Jack Burn and his family. The problem for them is that Burn is an ex-military man who’s on the run because of an armed robbery gone very wrong. He kills them in the struggle and disposes of their corpses. This brings all manner of problems for Burn. Firstly, his already strained relationship with his pregnant wife is brought to breaking point. Secondly, corrupt, murderous and grotesquely obese cop Rudi Barnard is looking for one of the hoods that Burn killed. Barnard finds the car belonging to the hoods parked near Burn’s home and interviews the American. He suspects that something isn’t quite right with the man’s story and delves into his background. Barnard soon finds out Burn’s identity and realises that this might be his way to an early and lucrative retirement. Thus ensues murder, kidnapping and some seriously bone-crunching action and violence.

Mixed Blood is another fine addition to Roger Smith’s brilliant back catalogue. It’s tight, controlled, well plotted, with a varied and strong cast of characters, superbly paced, and as ever with Smith has a wonderfully repulsive villain in Barnard, who is happy to murder anybody that crosses his path. Honestly, Smith writes the best villains in crime fiction – as repugnant as they may be they’re never less than human, and their motivations always make sense, even when what they are doing doesn’t. Smith also writes well about troubled family units, displaying their foibles and peccadilloes with an eye and an ear that would shame many of the literary writers for whom troubled families are a stock in trade. If you have yet to read Smith, I urge you to do so immediately. If you’re into balls-to-the-wall crime and noir thrillers, there isn’t a better practitioner around. Excellent, and highly recommended.